Sitemap - 2025 - Series Business (fka Strikegeist)
SCOOP: 'The Last of Us' HBO Shakeup as Creative Duo Parts Ways
The Shows Apple TV+ Wants to Buy Now
SCOOP: Paul Feig Donates $100,000 to National Immigration Law Center
Losing Your Virginity on TV Is a Gen Z Smash. What Is Happening?!
Panic, Fear, 'Fire Sale': Inside Paramount, WBD & NBCU as They Split Apart
'Afraid': ICE Raids Shake Hollywood’s Immigrant Workforce
Scripted Sports TV is Having its Super Bowl Moment (as Long as You Don't Whiff)
Private Thoughts of an Anonymous Top Agent-Turned-Manager
Why Amazon Can't Find Its Way in the U.K.
Julie Plec Maps YA’s New Sweet Spot in Streaming: Platform Fit (& No Phones!)
Microdramas are Minting New Six-Figure Careers: 'Faster You Can Get in, the Better'
Crisis for Queer TV: Disappearing & Out of Vogue
L.A. Sound Stages: The New Dead Mall?
The $3M Episode Squeeze: ‘Downton’ Duo Rethink How to Sell Prestige TV
You're Invited! Join the Star & Creators of "High Potential" on 6.2
Global TV Market Reboot: A New Second Window Blows Open
Lionsgate's Kevin Beggs on the Indie Playbook for TV’s Post-Peak Era
What Upfronts '25 Just Taught Us About Your Job's Future
TV Producers' Delicious Dream of Fin-Syn's Return, One Step Closer
Bloody-Good TV Worlds: Inside 'Vampire' and 'St. Denis Medical'
Disney’s Rita Ferro Rethinks Upfronts: 'You Buy Cars All Year.' Why Not Ads?
TV Chaos Underway in U.S.-Canada Trade War: 'Someone Takes the Hit'
Mara Brock Akil on 'Forever', Netflix, Judy Blume & DEI Rollback: 'You'll Lose'
SCOOP: Uni TV ‘Beta-Testing’ New Deal Structure With Writers
Studios vs. WGA: Writers Reveal Rage, Rewards, Reality Two Long Years Later
Benito Skinner & Charli XCX DM'd. An A24 Show & Wild Soundtrack Followed
'Poker Face' to 'Terminal List': How an Indie Producer Beats the Big Guys
'Sharpest Weapon': Europe Lays Plans to Hobble Trump-Era Hollywood
How to Get Staffed in a Writers Room Today
'Pop Culture Investigations': TV Buyers Swarm After 'Quiet on Set'
Buyers' New Good-for-Sellers Vibe Shift (& What 'The Pitt' Has to Do With It)
The Ankler Art & Crafts LIVE Returns on 5.8
A Creative Exec Survival Guide
'Adolescence' Producers Were Struggling. Then Netflix Said Yes
'Handmaid's Tale' Screams Dystopia. But the Show Creator Won't Get Political
Tariff Terror: TV Production Braces for Trump-Induced Sticker Shock
Amazon's Amazing TV Mess: 'Everyone's Afraid of Their Own Shadow'
D'oh! TV Animation Meets AI With Unease, Opportunity
'Freeloading' No More: European TV Alliances Snub the U.S.
Jake & Logan Paul: Secrets of the Producer Who Shaped Their Outrageous Story for TV
Fixing TV: Shawn Ryan, Damon Lindelof on How They'd Change Development
WME's Top Digital Exec: AI's Here. Now Let's Cash In (Carefully)
Exec Coach: The New Industry Must-Have (and Career Off-Ramp)
CBS Ex-Pres on Life After the Big Job: 'You Don't Get to Choose Your Own Exit'
Development Execs in Development Hell Too
The 3-Letter Deal TV Writers Love/Hate
SCOOP: The First Shows Where Writers Scored Streaming Bonuses
CW's Scripted Death is Writer Hell
Gen Z on 'Fuck You-ness', 'Productive Rudeness', Learning Swagger (and More)
Co-Pros, Sales, Formats: 'Japan Is Now the Cool Place You Want to Be'
CBS Pres Amy Reisenbach: How We Pick What to Buy (+ Prequels, Sequels & IP)
Salary Confessions: A Gen Z Creative Exec's Stark Warning for Gen X
The New 'Blinking Yellow Light' Hell of TV Development
Art of the Virtual Pitch: Buyer, Seller Secrets for Nailing It in the Zoom Room
Psst! Your Fave U.S. Game Show is Probably Shot in Ireland
'Buffy' Reboot Will Shoot in L.A.; Veteran Broadcast Writers are Winning
‘Broke as a Joke’: Who’s Staying, Who's Fleeing Hollywood After Fires
TV Has Changed, But My Passion for Covering the Industry Never Will
A 'Desperate' Campaign to Bring L.A. Production Back: 'People Can't Live Where There is No Work'
You’re invited: CONCLAVE | An Ankler x Letterboxd “Audience First” FYC Screening + Q&A 2.5
Indie TV: ‘Holy Shit, This is a Viable Model’
Unscripted Market: Who's Buying What in '25, Streamer-by-Streamer
'Blue Cheap': 4 New Ways of Making TV Only Look Expensive
'Trauma Bonded for Life': A TV Director's Home Burned Down. Now He's a Lifeline
TV '25: Self-Financed Series and 3 More Market Shifts to Know
AI, YouTube, TikTok: How TV Producers Plan to Cash In in '25